Categories
Museum blogging

The Powerhouse Museum library now blogs

Another thing I’ve neglected to mention is that our Research Library now has a blog. They are the fourth internal unit to blog publicly about their day to day work (joining our Image Services and Photography team, Conservation team, and of course the Digital group – which you are reading now).

The Library is home to a great collection of books and journals with a particular speciality in design all of which can be browsed in a ‘research visit’. Other libraries can make an inter-library loan request.

The Library is a bit of a hidden treasure known primarily to researchers, although we do a brisk trade for design students doing courses at the nearby UTS. The blog is intended to document some of the results of the ‘specialist research services’ our reference librarians undertake. This research is often fascinating and has, until now, been locked away in monthly reports and the like.

Now we hope some of the great discoveries and interesting people – filmmakers, designers, writers – who ask our library to undertake research for them, will be revealed to the public.

Enjoy another side to the Museum’s research work and services.

Categories
open content Web metrics

Attempts at quantifying social behaviour in the Commons

Over at the fantastic Indicommons blog there has been a flurry of activity around generating data from the various collections in the Commons on Flickr.

Patrick Peccatte initially posted on his blog a set of figures extracted using the Flickr API across the institutions in the Commons. Patrick has reworked these figures a little and they’ve been re-blogged on Indicommons.

The Powerhouse Museum figures work out like this – (as on Feb 7/8)

Powerhouse Museum, Sydney, Australia

Launched on 7 April 2008, currently has 1,101 photos in 27 sets.
1,464 comments,for an average of 1.33 per photo. Max = 97
4,619 tags, for an average of 4.20 per photo. Max = 34
305 notes, for an average of 0.28 per photo. Max = 19
Images with no social behaviour (identified in a separate post) – 336 out of 1,101 (30%)

(source: Patrick Peccatte)

Incidentally these images have been viewed just over 600,000 times at the time Patrick generated the data – which gives some indication of the participation rate (0.2% comment/view rate).

Now as with any quantitative measures these figures have problems. For some institutions the way the Flickr API extracts and reports data has been an issue. But for us these figures are useful given the very Australian and Sydney-centric content of images we’ve been uploading.

Anecdotally we’ve seen a huge increase in viewing as our relatively geographically-specific images have been exposed more widely by Indicommons and others.

Some questions worth exploring further –

– Who is doing the commenting, tagging and note additions?
– Are the repeat viewers?
– How diverse are they? Is it a lot of people doing a little, or, a few people doing a lot?
– Do those who ‘participate’ become ‘contacts’ (do they want to stay notified of future uploads?)

Categories
Social media Social networking

Engaging audiences with exhibitions in early development – Signs and the 1980s

Much like other museums we’ve started in earnest committing to engaging collaborators in exhibitions from the earliest stages possible. Our next two big(-ish) exhibitions are using different methods to collate, curate, and select content and ideas.

Our upcoming exhibition on Signs which will open around the time of Sydney Design 09 in August has just launched a Flickr group focussed on collecting the best, strangest, and ‘altered’ signage from around Australia.

By encouraging the use of a Creative Commons license we are hoping that some of these images will be featured in the exhibition and those that are geo-tagged may end up being used for walking tours. There will be specific challenges issued to the group over the coming months so if you have some great photos of signage around Australia, join up and participate. 6 days in we’ve already collected 173 photos form 114 people!

Another exhibition planned to open a little later this year is focussing on Australia in the 1980s. Now given the period in focus we’re operating on three different fronts. Firstly we launched an exhibition development blog written by the two curators, Peter Cox and Rebecca Bower. The blog introduces and teases out the key exhibition themes and is allowing the curatorial staff to ‘test’ ideas and ‘talk out loud’ about their plans.

Second, the blog links to a Flickr group where, like the Sign Design group, we are inviting people to submit photos of themselves and others in the 1980s. This is going to be a tricky challenge as relatively few people people have digitised their photos from the 1980s compared to the huge volume of digital born material of current times. We see this as an opportunity.

Thirdly there’s the Facebook group – an obvious choice – where we’re expecting a different kind of community will emerge around the exhibition content – less image-based and more conversational.

(Apologies to regular readers – it has been very busy and the blog has had to lay idle. However a large backlog of posts which will emerge over coming weeks along with the fruits of some exciting projects.)

Categories
Policy Social media

Demspey on libraries, networked services and mobile communications

The latest First Monday contains a great essay titled Always on: libraries in a world of permanent connectivity. Written by OCLC’s Lorcan Dempsey it gives a broad overview of the changes in networked communication and service delivery and explores the coming issues for libraries (and by extension, museums) wrought by mobile communications and mobile patrons.

Here’s a few pithy quotes.

On how libraries ‘present’ themselves:

One clear development is a blurring of our social, business, learning and educational lives as the pattern of our communication and interaction across time and space changes. For example, the Blackberry has raised the expectation of anywhere, anytime availability in some work environments. Think of this in institutional terms. This blurring raises interesting questions about how libraries are ‘present’ to their users, and how their users see the library. The position of the library as a functionally integrated, discrete presence, whether on the Web or as a physical place, becomes diffused through various manifestations (a physical place to meet, a toolbar, a set of services in the course management system, a FaceBook application, a set of RSS feeds, office hours in a school or department, and so on). It also changes the relation between the library and other service providers on campus as organizational boundaries track less well to learning and research behaviors. As more activities move onto the network, and as the network becomes more diffused through mobile communications, then workflow and information management become pervasive issues which prompt interesting questions about how academic support services are best configured.

On ‘timely services’:

Participation in a shared communications space blurs boundaries between work, social interaction and leisure. This is related to our altered relationship to time and space, as it becomes possible to engage in different types of activity wherever we are and at whatever time. This may be both liberating and stressful, and poses interesting questions for service providers tied to ‘office hours’. If assignments are prepared at two o’clock in the morning, should reference services be available at those times?

On the centrality of network services:

As a growing proportion of library use is network–based, the library becomes visible and usable through the network services provided. On the network, there are only services. So, the perception of quality of reference or of the value of particular collections, for example, will depend for many people on the quality of the network services which make them visible, and the extent to which they can be integrated into personal learning environments. Increasingly, this requires us to emphasize the network as an integral design principle in library service development, rather than thinking of it as an add–on.

Grab your favourite beverage and read.

Categories
Conferences and event reports Interviews Social media

Transformations in Cultural and Scientific Communication 2009 conference and short interview with Shelley Bernstein

In early March at Melbourne Museum the follow-up conference to last year’s Social Media & Cultural Communication takes place. This time the conference has been re-named and slightly refocussed as Transformations in Cultural and Scientific Communication and has a great lineup of speakers from around the country and overseas.

Join leading national and international experts at the Conference to share their experiences of the Web 2.0 revolution – and how it is changing museum and library practice. The four conference sessions will explore:

1. How to communicate with non-traditional visitors, and capture new audiences.
2. How social networks allow audiences to form communities of interest.
3. How scientific knowledge can create and sustain cultural participation.
4. How organisational change is critical in a world of user-generated content and social media.

The Conference builds on the themes of the 2008 Sydney event by looking more broadly at how museums and libraries can contribute to the development of general understandings of science and culture by communities and publics. How is museum and library knowledge created and disseminated in the Web 2.0 environment?

Read the full conference information and programme and book your tickets.

I am doing a presentation as well as running a workshop on metrics and measurement for the cultural sector (which is an alpha version of the one I am running in April in the USA). If you are interested in the workshop then book in early as spots are very limited.

I’m very excited because amongst the speakers in the conference session I’m speaking in is Brooklyn Museum‘s Shelley Bernstein. I asked Shelley a couple of questions.


(pic courtesy of Shelley Bernstein)

Q: What are you going to be talking about at the conference?

I tend to be one of those neurotic presenters that changes and tweaks everything until the very last minute, so I’m not entirely sure at the moment. Every day changes my perspective just enough to keep me rethinking, so I’m still mulling things over and bet that’s going to be one long plane ride with me and my laptop. Generally, I’ll be discussing what we’ve found to be the rules of the road: community is not marketing; personal relationships are key; transparency is essential; personal face on the institution in social areas is vital; trust your audience, they rock.

Q: The Brooklyn has an enormously impressive online presence. I’m really interested in your 1st Fans initiative and also how the museum has been connecting the local community in the galleries *and* online.

1stfans is a membership program that Will Cary (our Membership Manager) and I started with the aim to lower the barrier to entry in terms of joining and supporting the museum. The idea is to engage two groups of supporters. Those in our local area who come often, but have not gotten on the membership escalator yet. Also others who may have seen what we were doing online the past several years and would consider supporting us from far away. The challenge for us to make sure the far away supporters feel just as involved with their membership as the local ones and we are experimenting with that.

For instance, during the Swoon printing event, we asked Swoon’s studio to make a handful of prints for the 1stfans we knew lived outside of the area. We knew they just couldn’t make it to Brooklyn and we wanted to go out of our way and surprise them for being early adopters, so we are shipping those prints which is pretty cool. For the next event at First Saturday, we are planning to video the event then do a Facebook Q&A with the presenter in our 1stfans FB group. I think in each case, it just requires us to think outside the box and say…OK, how can we involve the supporter half way around the world via the web? … and then perhaps go a little out of our way to create something special, so those far away supporters feel less like outsiders. Each time it will be a little different – it will depend on what each event entails and how best to adjust it for everyone…and we are learning as we go, so our 1stfans are learning with us and that’s kind of cool.

Q: Everyone is talking about how social media (and museums) will fare in the economic downturn. What is your view of this in light of recent events?

I’m obsessed with one of Surowiecki’s latest New Yorker Columns and think it’s an interesting example of how people may need to adjust their ideas of what is and is not sustainable. I’m going to be blogging about that soon, so stay tuned.

Q: Melbourne and Sydney, especially, are renowned for their diverse and well priced cuisine. Which Australian native animal are you most looking forward to eating?

Ha! Well, I’m a vegetarian, so I’m more hoping to meet a ‘roo than eat one :) I tend to raid the cookie aisles of the supermarkets in foreign countries, so I’m sure you’ll find me there endlessly fascinated by the differences in cookies Down Under.

Q: Given that you are visiting the country with the most deadly animals on the planet, which are you most afraid of – the spiders, the snakes, the jellyfish, the sharks, or the octopi?

Sharks, for sure! I grew up in the Jaws generation, but I will say I’m way more afraid of being on a boat than being in the water with a possible shark lurking about!

Read the full conference information and programme.

Categories
open content Social media

Community resilience – the emerging Commons community

Courtney at the National Library of NZ beat me to it but as she writes, Flickr staff and Flickr users have visibly self-organised to grow the Commons on Flickr.

There’s a new public Flickr Commons group on Flickr and today, a new Commons blog – Indicommons. These point of presence are acting as meeting places for Flickr users helping research and explore the images that have been placed in the Commons

This has been a very heartening response from the community to the unexpected departure of George Oates. It is also a very positive initial rebuttal to the early fears that the Commons might disappear (which was very unlikely to happen unless Yahoo pulled the plug on Flickr altogether).

But as we’ve seen with recent announcements from Google, AOL and others, niche projects – even popular ones – can disappear overnight in the current economic climate. It is also a reminder that social media platforms like Flickr, and user-generated content as a whole, pose a huge conundrum – being community-built assets under corporate ownership.

Whose data is it?

Whilst Paula Bray is engaging with this emergent community, I am particularly interested in how the geographic makeup of this self-organising community evolves. The majority of Flickr users are still from North America and there had been a focus on keeping a good balance in the Commons of material from other parts of the world.

At the Powerhouse we’ve been uploading more quirky photos from the Phillips Collection and there are still more to come over the next couple of weeks.

Categories
Interviews Wikis

Implementing an internal wiki – Dan Collins on the Powerhouse’s rollout of Confluence

Wikis are the sort of knowledge management tool that you’d immediately think of as having great value to museums. However it seems that in the sector they are rarely found outside of IT departments – if at all.

We’ve been looking at them at the Powerhouse for quite a few years now. We tried simple installs of MediaWiki (the open source tool behind WIkipedia) and a couple of hosted ‘free’ solutions – Wikispaces and pbWiki – but none of these were really suitable as an organisation-wide solution.

Recently our IT team rolled out Confluence, an enterprise wiki solution, which is being progressively implemented across the organisation on a project by project basis. Confluence is a commercial application built by Australian software company Atlassian but it has a good user community and 50% discounts for non-profits.

I spoke to Dan Collins, our IT Manager (and web enthusiast) about Confluence and why he chose to go down this path.

What were the initial internal drivers for a wiki inside the Powerhouse?

Dan Collins: Initially my team needed something that would store large of amounts of IT documentation. I was frustrated that we continually kept creating new documentation within the department, and that our servers were always filled lots of outdated and bloated Microsoft Office documents. A wiki model worked well for IT as the information in the wiki represented ‘live’ information and slowly staff began to trust it as the central location for all our departmental information.

After a short while I began to see opportunities where a similar wiki model might work well in other areas of the Museum. Our intranet (built as a stop gap in 1999) was an obvious choice as it contained lots of static information – mainly forms, policies and procedures. As a result staff rarely go to the Intranet – whereas ideally I felt an intranet should be be a hub for all types of organisational happenings – not just static documents.

A wiki model would be able to assist in reducing the bottlenecks of creating content for the intranet by radically distributing the ability for staff to create there own content in the areas for which they were responsible. Hopefully this would also increase ‘ownership’ of the intranet.

How was the choice made to select Confluence? What are its benefits? What else did you look at?

We came to use Confluence after using a few other systems along the way. Initially in the IT department we were using forum software called Invision Board. Then a CMS, Drupal, to manage our documentation. For the purposes of managing documentation Drupal worked well, and I liked that there was a vibrant user community contributing to its overall development.

However, I found that Drupal required a large investment in time to understand how all the various components and plugins fitted together. Whilst Drupal is a very flexible tool and there was never just one particular way to achieve what you were after – which has its benefits -but also posed a number of difficulties.

The Web Unit had also trialled MediaWiki for use by the Powerhouse Media Labs staff, and we had looked at a few online based solutions. MediaWiki was too unfriendly in terms of user interface, and it became clear that a hosted solution would become problematic due to the sensitive ‘internal’ content we would want it to host.

Around the same time I was looking to replace our under-performing and expensive corporate helpdesk software. We came across a product called Jira from Australian firm Atlassian. Jira provided many of the features that we were after for a fraction of the cost of commercial helpdesk systems, and it so happened that the support pages for Jira were hosted on another Atlassian system called Confluence, which was impressive in its own right, and things happened from there.

Initially I was impressed with how quickly we could get both products underway. A fairly painless install with most of the common database servers supported.

Configuration time was reduced by being able to link into our existing groups and users via LDAP. And being web based, it meant no client was needed. WebDav functionality allows easy copy of existing content into the system.

During the initial trial period I installed as many plugins as possible to get a feel as to what could be done. I was impressed with the support, and the stability of the system and I was able to get the system to where I thought it should be without the need the need for extensive customisation.

I hadn’t personally spent a lot of time using the editing features of wikis prior to using Confluence, so a bit of time was spent in understanding how it all fitted together. During this time it became that clear that the wiki model addressed a number of the issues we were struggling with in IT across the Museum – overuse of email, duplication of data on our file servers and in email, and a complicated and onerous corporate document management system.

A key benefit is the ease of use of the system – people are writing and attaching documents with little or no training. Collaboration of this nature is something we’ve not had before – staff are now sending links to documents on Confluence rather than large emails to hundreds of people, and using Confluence as the forum for centralised discussion rather than extensive email trails.

Another key feature is the ability to work with existing Microsoft Office documents – either import from Word, or work in Word and then sync back to Confluence. This means that staff don’t need to learn any special wiki markup. Keeping informed of work in other departments is done via alerts and the internal search works well.

The more people work in Confluence, the more file duplication is reduced and we can dedicate our disk space more important functions.

How is it being rolled out? Why are you using this approach?

We have been working with users across the Museum who have shown a willingness to try a new approach. Working closely with these staff have given us insights into the pros and cons of the tools.

We have been very cautious not to change things for the sake of it, and to take it slowly – a group or a project at a time. The approach has been to keep the existing systems running in parallel, but show how things could be done to greater benefit in the new. This way staff always have a fallback position if something doesn’t work as expected and need to meet a deadline.

We have found that after a few days of cautious experimentation, most staff are off and running, looking for new projects to bring into Confluence fold.

Positive word of mouth from staff who have come to across to the system makes it that much easier in gaining greater levels of adoption in areas that aren’t particularly tech savvy.

What strategies are being employed to boost its uptake and use by staff?

Training.

As much as the tool is easy to use, it does require a different approach to the normal document creation process for many staff, and this takes time. Providing detail on what can be done when using a wiki is important to convey. I’ve found that Wikipatterns has been helpful in that regards.

Lately I’ve been using a tool called Wink to capture screen shots and make videos of different functions and ways that it can be used. I’ve found these to be quite popular as people can view them when they have a few free moments.

In addition to training, supporting those users who are quick to adopt the new system has been very important. Making sure that they are across all the features and benefits will (hopefully) reduce the chances of staff reverting back to the old ways.

Support from senior management has also been key in getting people to participate. I’ve found they are very supportive as they are generally the most ‘time poor’ and can see the organisational benefit of simplified collaboration, reducing the need for meetings etc.

Do you think the wiki will accelerate or drive organisational change?

I believe it has already.

For too long we been haven’t been pursuing the best strategy for managing our day to day work. Everyone has had the standard set of tools, Word, Excel etc. However, little thought has gone into whether this is actually the best way we can be working with each other.

In a short space of time, I’ve seen people across the Museum collaborating and discussing projects that just wouldn’t of been possible using the standard Office suite.

I believe that evidence is there to suggest that it doesn’t take people long to get comfortable with the system and become active contributors. When the bottlenecks to creating content are removed – various ideas, concerns or suggestions bubble to the surface where previously they wouldn’t.

I’m excited that there is now a way that I can better understand what my colleagues across the Museum are working on, and that they can also engage more with the work of the IT team.

As an organisation we’ve been very focussed on using the web and various social media tools to engage with the public, and I see that now we can use some of these technologies to better engage with our work colleagues.

Categories
Collection databases Powerhouse Museum websites

Australian Dress Register

One of the side projects the team launched recently was the Australian Dress Register.

The Australian Dress Register will document significant and well provenanced men’s, women’s and children’s dress in New South Wales dating up to 1945. It aims to assist museums and private collectors to recognise and research their dress collections and support better care and management. It will engender an improved understanding of dress in its wider historical context and help to ensure information about its origins is recorded while still available and within living memory.

This is a collaborative database project which will have a series of public facing views being made available mid 2009. During the interim period volunteers in the community and in regional museums are using the backend to catalogue and upload significant examples of Australian dress from their collections (private and publicly held).

When the database starts to fill up the contents will be made avalable on the Powerhouse site as well as providing XML feeds to Collections Australia Network, D’Hub and other federated collection services.

Like most community projects the technology is the easy part. The difficult part lies in getting the community to form around them and use them. Fortunately the Australian Dress Register will utilise the regional reach of both the Museum’s own Regional Services Unit and also Collections Australia Network.

Categories
open content

Farewell George Oates

Everyone here at the Powerhouse Museum was shocked today to hear that George Oates, the architect of the Commons on Flickr (and former designer behind Flickr), was laid off by Yahoo. Only last week was she presenting to our staff.

George was the conceptual mind behind the Commons – her ideas, passion and drive to expose and connect collections has created a large body of evidence that has been sorely required by the libraries, archives and museums sector. There now exists, thanks to George, solid evidence that obscure photographic collections are of interest to a wider public and worthy of digitisation and preservation; solid evidence that admitting that there are things that those in our sector don’t know about doesn’t damage institutional reputations; and that rather than diminish revenue form image sales, wider free access may actually increase them.

George was able to bring collections (and people) together in the past 12 months that we, within the sector, have found difficult to achieve in the past decade. She was and remains a cultural connector.

She will be sorely missed by all of us at the Museum and we hope that her work in establishing the Commons does not go to waste, and is not forgotten.

On a personal note, I am especially shocked and saddened by this news because just a few hours before George found out, she and I were presenting a joint workshop to delegates at the Culturemondo Roundtable. Here in Taipei, she has inspired people from Asia, Africa, and the rest of the world, to do more with and think more of their collections.

At Culturemondo we were not unaware of the political economy of the Internet. Geert Lovink had, only yesterday, reminded us all of the problems inherent in the way that many Internet companies have been founded and funded. A little later we were discussing the need for data portability in cloud computing. That this news would come on the same day was cruel indeed.

I’m sure that the company or organisation that George works for or establishes next will be as equally impactful as Flickr, but right now I’d like to send the most positive vibes possible to George in this difficult time.

Categories
Conferences and event reports

Michael Highland – As Real As Your Life / games and experience

Amongst many interesting things over the past few days, I’ve just been listening to Gino Yu, Director of Digital Entertainment and Game Development of Hong Kong Polytechnic University, talking about experience and brain development. In his talk at the Culturemondo Roundtable here in Taipei he showed an excerpt of one of his former students, Michael Highland‘s films – As Real As Your Life. I felt it was worth sharing.

The original cut has now been transformed into a re-edited, longer form version but here’s the original from Michael’s Vimeo set.


As Real as Your Life (Original Cut) from Michael Highland.