This has been doing the rounds but is a good overview of a LOT of different methods of generating new ideas and innovations.
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Great discussion of George Clinton and Hank Shocklee at the Future Of Music conference in the USA.
A sample (ha!) of the discussion –
arguing for the sampler-as-instrument, shocklee wanted to stress that a particular performance–the presumably ‘original’ materials for which one might hold a copyright–is not always what sample-based producers are looking for: “sometimes we sample because we just want the sound.” he offered an example to clinton: “you’ve done some incredible things with the moog synthesizer in terms of filters, effects [etc.] … in order for us to get those sounds today [is impossible].”
To hear the ORIGINAL conversation you can grab it from here.
The rest of the conference panels are online here. There are some great topics being discussed incluidng blogging and podcasting as well as the future of distribution.
As they explain themselves, Ubuweb is “the definitive source for Visual, Concrete + Sound Poetry”. Check it out and be amazed, and listen and watch some of out of print music and video and text from a slew of artists whose names will be familiar but whose work is notoriously hard to get hold of.
UbuWeb has no need for money, funding or backers. Our web space is provided by an alliance of interests sympathetic to our vision. Donors with an excess of bandwidth contribute to our cause. All labour and editorial work is voluntary; no money changes hands. Totally independent from institutional support, UbuWeb is free from academic bureaucracy and its attendant infighting, which often results in compromised solutions; we have no one to please but ourselves.
UbuWeb posts much of its content without permission; we rip out-of-print LPs into sound files; we scan as many old books as we can get our hands on; we post essays as fast as we can OCR them. UbuWeb is an unlimited resource with unlimited space to fill. It is in this way that the site has grown to encompass hundreds of artists, hundreds of gigabytes of sound files, books, texts and videos.
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Language of graffiti
Fascinating label text to an exhbition I saw in Berlin on street art at Neurotitan – a kind of gallery meets edgy design store – they had great books and zines . . . . with a nice selection of breakcore records in the corner as well.
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How to blog
Here’s a great guide from Reporters Sans Frontieres.
Blogs get people excited. Or else they disturb and worry them. Some people distrust them. Others see them as the vanguard of a new information revolution. Because they allow and encourage ordinary people to speak up, they’re tremendous tools of freedom of expression.
Bloggers are often the only real journalists in countries where the mainstream media is censored or under pressure. Only they provide independent news, at the risk of displeasing the government and sometimes courting arrest.
Reporters Without Borders has produced this handbook to help them, with handy tips and technical advice on how to to remain anonymous and to get round censorship, by choosing the most suitable method for each situation. It also explains how to set up and make the most of a blog, to publicise it (getting it picked up efficiently by search-engines) and to establish its credibility through observing basic ethical and journalistic principles.
Intersting development in Wiki security/authentication here.
A touchy subject but some interesting points raised here – http://www.theconglomerate.org/2005/09/iprs_in_context.html
It will be interesting to see how the fair use exemptions unfold here in Australia and how these affect how we do things within the museum.
Fresh open license video for use by anyone . . . . in the UK.
http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4225914.stm
PaDIL (Pests and Diseases Image Library) is a image library that combines leading edge technology in light microscopy, digital imaging and image manipulation. It provides ‘virtual specimens’ of a type only previously possible using low-power scanning-electron microscopy to assist AQIS officers and other front-line entities to identify pest species which potentially threaten Australia’s ecosystem using a visual key. Find out more about PaDIL.
Take a look at PaDIL. Count the hairs on the antennae of an Oriental Latrine Fly! View the fact sheets, email them to all your friends.
Check these great little videos from Nate Harrison –
http://www.nkhstudio.com/
Nate Harrison is an interdisciplinary artist working with electronic media. He has worked on projects and exhibited for The American Museum of Natural History, The Whitney Museum of American Art, Experience Music Project, Seattle, The Los Angeles County Museum of Art, BIAS Sound Collective, Taiwan, The Museum of Contemporary Art, Denver, PBS, Showtime and various independent film projects. In 1997 Nate founded the New York electronic music microlabel töshöklabs, which has been featured in publications such as XLR8R, URB and CMJ. He has also recorded music for the CO.AD and Record Camp labels. Currently Nate co-directs ESTHETICS AS A SECOND LANGUAGE (www.eslprojects.org). He earned his B.F.A. from the University of Michigan and his M.F.A. from California Institute of the Arts. Nate lives and works in Los Angeles.